C-pij 01: Obscura Wah Fuzz Swell (2001), by C-pij 01

C-pij 01: Obscura Wah Fuzz Swell (2001)

by C-pij 01

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Obscura Wah Fuzz Swell
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Hand packaged, stamped and numbered CD including 8 postcards

Includes unlimited streaming of C-pij 01: Obscura Wah Fuzz Swell (2001) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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	1.	Batty Mantra 1 02:41
	2.	Mirrorism 01:15
	3.	Wrong Nerve 03:19
	4.	Batty Mantra 2 01:03
	5.	Pickled Sister 02:11
	6.	Subtle Destruct 03:58
	7.	Batty Mantra 3 02:38
	8.	King Of Fancy 03:20
	9.	Bolt Head 02:53
	10.	WB. Fortissimo 03:46
	11.	Dolphins Are Cunts 01:26
	12.	No Time Like 02:50
	13.	King Of Clubs 01:11
	14.	A.C. Slide 02:20
	15.	16 to 1 00:47
	16.	Industrial Folk 02:55
	17.	Back Track 00:17
	18.	Smokin' Dub 04:54
	19.	Tiny Song 02:35
	20.	Long Way From Home 03:57
	21.	Retox 05:20
	22.	Flaute Rock 02:14

about

Uncut Magazine: Sarah Jane

OBSCURA: WAH/FUZZ/SWELL

Underground label boss composes 'the first great electrosonic concept record of the new century'
Spread over 22 tracks, WAH/FUZZ/SWELL witnesses Orb collaborator and C-pij label boss Nina Walsh stitching together a complex blanket of tones, textures, loops, drones and pulses.
Certain tracks send a shiver up the spine as Walsh sings seemingly random lyrics over a wave of eerie effects while others find her hiding amid a torrent of rhythmic loops and pneumatic white noise.
Occasionally, Walsh injects moments of playfulness into her tracks, but mainly she echoes the dark, unsettling ambiance of Labradford.

DJ Mag: Found Sounds

OBSCURA: WAH/FUZZ/SWELL

Broaching testosterone fuelled laptop circles, ex-Sabrette Nina Walsh adds a welcome dash of femininity into the word of boys own electronica. A long haul project of some three years, WAH/FUZZ/SWELL trawls deep into a chasm of obtuse sound sources, pitching itself between industrial soundscaping and warm musical structure.
Compilled and programmed as a continuous flow, the album utilises all manner of FX although don't be fooled into thinking this is just an exercise into latent electronic weirdry. Intertwined within expansive sonics beautiful compositions exist, from the urgent incendiary windup of 'King Of Fancy' to the rippling melodica of 'Smokin' Dub' and the meandering acoustic guitar of 'A.C. Slide'. Advanced chill music for insomniacs. Superb.

credits

released December 22, 2021

Written & Produced by Nina Walsh 2001
Sequenced & mixed by Andrew Weatherall
Mastered by Andy Sherriff
Additional production on Industrial Folk: Charlie May
Additional vocals on No Time Like: Amanda Thomas
Additional production on Bolt Head: Zizi Relton
Additional production on Retox: Anita Hurst
Melodica on Smokin' Dub: Anita Hurst

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about

Nina Walsh London, UK

Whilst embracing the late 80s acid house revolution Nina met rising DJ Andrew Weatherall, together they started the Sabres Of Paradise & Sabrettes record labels. She went on to create her own 7" label C-pij, collaborate with The Orb & Two Lone Swordsmen before releasing her own Bright Lights And Filthy Nights. Walsh & Weatherall continued their work together as the Woodleigh Research Facility. ... more

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